“Many paths to the center” is both a spiritual and a political statement. So much of our world has been shaped by dichotomy thinking: it is either this or that, my way or your way, right or wrong, religious or secular, sacred or profane, black or white. It seems to me that kind of world view leads only to frustration because it is a gross over-simplification of the way the world operates. Many paths to the center acknowledges that in this complex and multi-faceted universe (or multiverse as we are discovering) there is no one way to enlightenment, no singular truth that any of us human beings can fully grasp. We journey together toward what we sense as our wholeness, and there are many paths to the center.
Artists seem to sense this better than theologians. Throughout the history of art, there have always been concurrent and sometimes vastly different schools of style and approach. And, yes, members of one school may have been self-righteous and even fundamentalist about their particular method. Nonetheless, it seems that there was always a recognition that there was more art in the world than what this artist or that created. And art itself is a recognition—however ephemeral—that there is more in this world than we can see or feel.
This is part of why at Scottsdale Congregational United Church of Christ (the community to which I belong and of which I am the pastor) we created a vision statement that says we are “a community of Artistic, Revolutionary, and Evolutionary Christians.” To be artistic is more than just mere creativity: it is an attempt to create beauty or meaning. Being revolutionary is an embrace of change, and a commitment to an ongoing egalitarian reordering of our world. Saying that we are evolutionary means that we are constantly becoming, becoming more human and in a nod to the last desciber, more Christ-like. And we want to positively redefine what it means to be Christians: open-minded and open-hearted followers of the way of Jesus. It is out of this artistic, revolutionary, and evolutionary approach that we are creating the Urban Abbey.
It was under the influence of the convergence of these thoughts and dreams that I created a series of paintings. They grew out of a period pondering paths one can discover if you are looking for them. Beginning with a fascination for all things Celtic, and the triskele in particular, I started playing with connected spirals. For me, it most often ended with four spirals because with the Urban Abbey we are trying to create a new kind of spiritual community and we started talking about the paths that would help that come about. Eventually we named four: hospitality, self-knowledge, engaging the world, and worship. The center we are seeking is healthy, vibrant community. We know that these are by no means a definitive or an exhaustive list, but they are a beginning. These are the paths that we choose as our starting point. And there are many paths to the center.